Food & Wine Pros

What kind of food should you serve with fine wine?

What kind of food should you serve with fine wine?

Most of the time we’re pairing wine and food it’s the food that comes first but for people in the trade it’s more often about what food will flatter the wine. But how do you ensure a successful match?

I went to two top end wine dinners last week which took different approaches to the task. The first a tasting and dinner hosted simultaneously in Brussels, Hamburg and London by the Bureau Interprofessionel des Vins de Bourgogne showcased premier crus, especially Chablis, Meursault and Gevrey-Chambertin.

They decided on a four course menu with effectively two main courses - roast breast of chicken with pearl barley and vegetable risotto to showcase Maison Albert Bichot’s Domaine du Pavillon 2010 Meursault les Charmes and seared rump of lamb with borlotti bean, marrow and confit tomato cassoulet to go with a 2013 Gevrey-Chambertin Clos Prieur from Maison Louis Max.

The first course, which was paired with Nathalie and Gilles Fèvre’s 2010 Chablis Vaulorent was a a dish of very lightly cooked smoked fish with chive and lemon creme fraiche and ‘young leaves and shoots’

Picking out the flavours of the wines

Clearly the thinking had been to come up with pairings based on the flavours that could be found in or which complemented the wines. A trace of smokiness in the Chablis, for example, mirrored that in the fish, the cream offset it and the citrus picked up on the still fresh acidity of the wine. Chicken is invariably a safe bet with chardonnay so they were on solid ground with the Meursault, though the glazed shallot was an imaginative touch which particularly flattered the wine.

Interestingly a similar ingredient appeared in the other dinner, a very glamourous affair hosted in the Berry Bros & Rudd directors’ dining room. Here the caramelized note was provided by the glazed endive that was served in the first course with duck pastrami and crisp little gorgonzola fritters which picked up the rich golden character of the two 2004 burgundies they served, a La Sève du Clos Meursault from Arnaud Ente and a Le Montrachet Grand Cru from Domaine des Comtes Lafon. A particularly bold pairing that could only have come from road-testing the match with the wine or one very similar to it.

Should you save the best wine for the cheese?

Given they had both red burgundy and bordeaux to show off they went for the classic French solution of serving the burgundies - a 1999 Jacques-Frederic Mugnier Chambolle Musigny and a 1999 Gevrey-Chambertin Clos St Jacques from Domaine Armand Rousseau - with the main course (roast saddle of lamb with anchovy, parsley and mint) and the bordeaux with the cheese which I seem to recall, though things were slightly hazy by this stage, were a Rollright, a washed rind cheese made in the style of a Reblochon, a punchy Lincolnshire Poacher and a Shropshire Blue. Personally I found they didn’t really do the wines - a fragile 1945 (NO, that’s not a misprint - 1945!) Clos Fourtet St Emilion and an utterly glorious 1990 Chateau Margaux (for me the wine of the evening) many favours but what do you do? The sort of people who dine at Berry’s (mainly chaps of a certain age, I imagine) no doubt both expect cheese and to drink the best reds in the house with it. Personally I’d rather go with beef or lamb and if I had to serve cheese pick just one but again guests expect a proper cheeseboard, regardless of whether its contents detract from the wine or not. It’s a dilemma.

The burgundies did work beautifully with the lamb however.

Should you serve a sweet wine?

Desserts were also handled differently. Given that burgundy doesn’t produce sweet wine the BIVB didn’t serve anything with the refreshing lemon and honeycomb mousse they picked, which was accompanied by poached fruit, brown sugar meringue and almond brittle. It worked fine - you didn’t really need one - but an alternative might have been to serve a liqueur from the region from someone like Gabriel Boudier.

At Berry Brothers they decided to use the dessert course as a platform to show off a very special port - the Graham’s 90 Very Old Tawny Port that had been specially bottled to celebrate the Queen’s 90th birthday that happened to be that day (what a treat!). They boldly paired it with a chocolate delice with passion fruit curd and ginger ice cream which worked surprisingly well - it was still extraordinarily vibrant - though the cheese - especially the Shropshire Blue - would have worked too.

Apart from the use of caramelisation, one of the other interesting things I noted was the use of bitter ingredients, particularly in the main course lamb dish at the burgundy dinner which included olives, capers and preserved lemon - all of which tend to heighten the fruit in older wines. Other dishes employed anchovy, cavolo nero and rosemary to similar effect. Care was taken though not to overwhelm any of the dishes with over-flavourful vegetables or intense jus which could have knocked the stuffing out of these spectacular vintages.

Ideally you would have a run-through before a dinner of this kind but with old, rare and possibly priceless wines that might well not be possible. The key thing I think is to make sure the chef and front of house team both try the wines being poured with the food so they can consign it to their palate memories for a future occasion.

(Incidentally a neat trick from Berry Bros. They marked both the menu and the glasses with coloured dots so you could remember, in your befuddled state, which glass was which!)

I attended the dinners as a guest of the BIVB and Berry Bros & Rudd respectively.

Main image credit: Kerstin Riemer from Pixabay

How to host a wine pairing dinner

How to host a wine pairing dinner

Ollie Couillaud’s inaugural wine dinner at The Lawn Bistro in Wimbledon, west London yesterday was a masterclass in how to get it right.

First of all he only had four courses. Too many wine dinners these days have multiple small courses, challenging for the kitchen and sommelier, wearying and unsatisfying for the customer (particularly male customers, it has to be said) who want a ‘proper’ meal - and are entitled to have one for the money they’re paying.

Two wines (all burgundies) were served with every course - except the aperitif and the dessert. That gave the presenter, Master Sommelier Gearoid Devaney of Flint Wines something interesting to talk about and the attendees a chance to learn more about this complex and confusing region. They were also from different producers and vintages.

The menu was well chosen. That should go without saying but sometimes the chef’s ego gets in the way of showcasing the wines to best effect.

We kicked off with some clever ‘amuses’ including the most wicked, silky-textured chicken liver parfait I’ve ever eaten which were served with a glass of 2009 Domaine Ballot Millot Bourgogne Blanc from vineyards which border Meursault, showing how impressive basic burgundy can be in the hands of a good producer.

Next a sound choice of seared scallops and black pudding with Granny Smith apple purée and lentil and hazelnut vinaigrette - a great foil for two lovely white burgundies, a 2009 St Aubin 1er Cru Charmois from Domaine Paul Pillot and a 2010 Chassagne-Montrachet from Domaine Moreau. The Moreau was still incredibly young but opened up beautifully in the glass.

The main course of roast squab pigeon with foie gras, Jerusalem artichoke purée, fondant potato and port and orange sauce looked challenging on paper but worked amazingly well with both the 2005 Aloxe-Corton Domaine Lebreuil and 2008 Beaune 1er Cru Les Sizies Domaine Guiton that were served with it, the lighter, more elegant Beaune, surprisingly, having the edge over the richer, earthier Aloxe-Corton.

And the dessert was served simply on its own - a croustade of caramelised apples with vanilla ice cream with a show-stopping crisp pastry cone which covered it like a witch’s hat as it was brought to the table. No accompanying wine as burgundy doesn’t do sweet wines. We didn’t miss it.

The numbers were kept low (25) to give the kitchen a chance to adjust to serving banqueting style rather than the normal restaurant service and the price was a fair £95 for the quality and amount of food and drink that was served.

The guests went away asking when the next dinner would take place. Couillaud clearly has a ready-made fan base for future events.

I attended the dinner as a guest of The Lawn Bistro.

Photo by fauxels

Pairing Pinot Noir and lamb

Pairing Pinot Noir and lamb

A report on the fascinating food and wine matching workshop that was held at the International Pinot Noir Celebration in Oregon last month which showed that you can find a pinot pairing for almost any kind of lamb dish.

I was lucky to land on a subject so close to my heart as the seminars at the IPNC are often more technical in nature and this was apparently the first time they’d run one with food.

The tasting was based on four Pinots: a 2004 Domaine de L’Arlot Nuits-St-Georges 1er Cru Clos des Forêts, Pegasus Bay Prima Donna 2006 from Wairapa, New Zealand, a 2007 Dutton Goldfield Freestone Hill from the Russian River Valley in California and another 2007 Pinot Noir, the St Innocent from the Momtazi vineyard in the McMinnville AVA in Oregon’s Willamette Valley.

We tasted the wines blind, then, once their identity had been revealed, the winemakers talked about them. We were presented with four different dishes to try with them which had been created by local NW chefs from different cuts of lamb and a suggested list of ‘secondary’ ingredients. These were all cooked dishes but served at (warmish) room temperature.

  • The Nuits-St-Georges was paired by Kevin Gibson of EVoE in Portand with a poached sausage made from shoulder of lamb and seasoned with dried persimmon and thyme. This worked really well. The wine was the most mature of the four, delicate, subtle but intense with a fine silky texture and a delicate touch of cooked strawberry fruit: the dish quite classically French in flavour with a slight fattiness that was offset by the wine’s minerality and acidity.
  • The Pegasus Bay Prima Donna was also mature for a New Zealand red but still had much more primary fruit than the burgundy and a touch of spice, matched very cleverly by chef Rene Erickson of Boat Street Caf, Seattle with some lean loin of lamb, rubbed with Herbes de Provence and served rare with a plum and preserved lemon relish and some earthy Puy lentils. This was a brilliant touch which brought out all the brightness and complexity of the wine. (Interestingly she said she’d originally thought of using blackberries or tayberries as an accent but found them too similar to the flavours in the wine)
  • The third dish, from Jason Stoller-Smith of the Dundee Bistro, was leg of lamb, which I think from my rather scrawled notes had been smoked over Pinot Noir vine cuttings. It was again served rare (but had slightly dried out) and was accented with olives, mint and cherries. In my view it just slightly unbalanced the very lush Dutton Goldfield Pinot, accentuating its sweetness and oak at the expense of its acidity. (Probably the olives and the smoking) It worked better with the Pegasus Bay Pinot.
  • The St Innocent Momtazi Pinot - like the burgundy from a biodynamic vineyard - was more evolved and quite funky with what winemaker Mark Vlossak described as a ‘sauvage’ character and a fresh acidity. It made sense pairing it as Cathy Whims of Nostrana in Portland did, with a braised dish of lamb shank and beans cooked with white, wine, olives, toasted cumin and cinnamon but the addition of tomato threw the pairing making the wine taste unexpectedly sweet. It was however lovely with the L’Arlot Nuits-St-Georges.

So the stand-out pairing for me was the Pegasus Bay Pinot and the loin of lamb with its original and fresh-tasting salsa which proves that contrast is sometimes better when you’re pairing than attempting to mimic the flavours in the wine.

I was also struck by the fact that the age and style of the wines was as important as their provenance. As Dan Goldfield of Dutton Goldfield put it “If it’s wild mushroom season you’re not going to be thinking about the current vintage.”

Some of the most interesting insights and tips came from the chat around the pairings and observations from the moderators, Ray Isle of Food & Wine and wine educator Evan Goldstein. For example:

  • As you are cooking have a glass of the wine you’re planning to drink beside you. First it makes the process of cooking far more fun but it allows you to make adjustments along the way. Everyone’s palate is different. (Evan Goldstein)
  • At table don’t hit the seasoning without tasting the food first. Salt and pepper both accentuate alcohol. (EG)
  • Your cooking medium is important. Serving food raw or steaming, boiling or poaching it is not going to have as much impact as grilling or smoking it. (EG)
  • Adjust your pairing to the top note in a dish. Acidity is one of the great underrated characteristics of wine and food. (Ray Isle)
  • Let one thing be the star. If that’s the wine serve it with something simple. (RI)
  • One of the problems in restaurants is that young cooks tend not to drink wine - they drink cocktails and beer and so don’t develop a wine palate. (Cathy Whims)
  • Chefs at winemakers dinners tend to dumb down the food (Brian O’Donnell of Belle Pente. That certainly wasn’t true of the lunch we had at his winery which was cooked by the team at Beaker and Flask).
  • For winemakers, there may be something in the vineyard that gives you a clue to a pairing. For instance thyme which goes great with rabbit. (Dan Goldfield)
  • Pairings are seasonal. If we were doing this tasting in February it would be a very different story. (Jason Stoller Smith)

A really fun session and, for those of you in the trade, a good model for conducting a food and wine tasting.

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Photo by Andrei Marina

 

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